Where Ladybugs Roar

Confessions and Passions of a Compulsive Writer

Thursday, November 5, 2009

Do you like to hear scary stories?

Hey all!!! This is an aside kind of post. L.T.'s blog Quest: Published is a really fun blog. Bane and Stephanie and a bunch of others post there. She has Mad Lib Fridays followed by Mad Lib Results Mondays which rock and are highly amusing. Anyway, she posted a contest in Halloween that I entered and won. Since I always drag my entries back from Flashy Fiction, I brought this back too... hopefully she won't mind. This was meant to be a scary story. If you're not scared... you should pretend... definitely. BTW, this is based on a true story. I was once babysitting and staring at curtains across the way and basically saw what looked like a massive fight between a couple, but I couldn't be sure. It was freaky, but I never told anyone because I wasn't sure... and I was young. It haunted me then... and still freaks me out today.

At twelve years old, I was too old to be scared of shadows.

The kids I’d been watching were asleep, and the dishes had been done. I sat there in the dark, staring at the back-lit curtains of the house across the way.

My eyes were playing tricks. They had to be. I was tired.

I watched as the shadows seemed to dance across the curtain, and they had been dancing—a bit ago. A couple had been slow dancing in jilted movements as if they were laughing or drunk. Then, he’d shoved her away—hard and fast.

What had she said?

Now, she flew at him—angry. She seemed angry anyway.

I jumped, though I couldn’t hear the noise of him backhanding her.

Should I call someone? The shadows jumped in the creases of the curtain. It might be nothing.

He hit her again—I thought.

I turned the lamp beside me on. I should call someone—maybe the people I was babysitting for. What if I was wrong? The shadows were blurry and jumped from one portion of the curtain to the next. They’d never ask me to babysit again. You were supposed to be more mature than the kids you were babysitting.

They were too far from the window now, and it was a relief.

A body hit the other side of the curtain as if someone had just been shoved against it. The curtains shifted with the back of the person and arms flailed around. It was her. Her neck looked too wide and another body blocked the light as an indistinct shadow played in the background. Her head slammed the window—once—twice—and then she went limp. Her body slid down the curtains, and I saw him removing his hands from her neck.

That’s what I’d seen, wasn’t it? Shadows moved again—in and out of the folds of the curtains.

The curtains twitched, and I scrambled to turn off the light beside me. The door was locked. I knew the door was locked. I’d check again after I was sure he wasn’t going to look through the window.

The shadow play was done and, still, I didn’t move. I couldn’t move. Had I just seen what I’d seen?

Twenty minutes later, the key in the door’s lock startled me. The parents were home.

I dismissed it—things like this didn’t happen. Clutching the twenty dollars in my hand, I walked outside so the father could drive me home.

A “For Sale” sign sat in front of the neighbor’s house.

“New neighbors?” I asked, my mouth dry.

Shrugging, he said, “They were here for about six months, but they’ve put the house back on the market again. No one is even living there now. The husband said the house wasn’t what his wife wanted. I never met her, but he seemed nice. Anyway, no one seems to stay in that house very long.”

I looked up at the window—dark, empty, and no curtains.


Then, for those that didn't get to visit the other site I posted my scary story on. (I can't remember if I posted it here.) This was the other scary story contest entry:

It was a simple run—what could go wrong? The sun had gone down a long time before I laced up my shoes, but I was determined to get in my daily run. My cell phone was dead again, so I left it behind. I wasn’t going to be more than three miles away anyway. Tucking my ear buds into my ears, I left the house and tucked the light into my waistband so cars could see me.

My feet were a thud—thud—thud on the pavement like the beating of a heart. The music began as I ran down my street and towards the quiet roads that were my usual route.

I like things a certain way. From the music I listened to—to the exact cadence of my feet on the road, it’s always a pattern—always. The first song took me by surprise, and I yanked out my MP3 player to check the name. There was no way “I just died in your arms tonight” was supposed to be on there. Did I even have that song? I live my life a certain way, though, and I don’t skip songs, and I don’t change my route.

The shadows as I left the neighborhood behind were longer than normal. It was a quiet night, and still my feet thudded on the ground in sync with my heart. I tried to shake the eerie feeling that someone was watching me. It was the darkness, and maybe I was too tired to be on a run.

“My Little Runaway” came on, and I yanked my MP3 player out again. I definitely don’t have that song. The previous song might have snuck on with an eighties compilation, but no—I didn’t have that song. Behind me, a pair of headlights illuminated the street, but when I turned—nothing. There was no car.

“Freaky,” I whispered to myself.

“I Will Survive” by Cake started up—and while I have that song, it wasn’t supposed to be on here. I have a routine—a set routine. Besides, the scrolling letters said, “I will NOT survive.” It would have been funny—except that it wasn’t. I was skirting the forest and a strange breeze fluttered through the trees and chilled my arms which already were covered in goose bumps. Nearby, a dog howled just as “Thriller” began.

“What is going on?” I asked my MP3 player and then felt stupid. It was like an homage to strangely-titled songs for running in the dark, but it was a weird fluke. Once again, headlights swung past, but there was no car behind me. There was a dog, and it was getting closer.

I didn’t change my route, but I did pick up the pace. The thump of my feet still matched the beat of my heart. I ran faster. I hit the hill I despised going twice my usual speed. The dog was coming, and it was big.

My MP3 player started to play “Helter Skelter.” There was the sudden spot of light from headlights that I knew weren’t behind me. A spot of uneven ground made me stumble, and I caught a glimpse of something large pursuing me as I twisted before recovering. I ran faster. My throat felt torn and painful. I was back in the neighborhood and the headlights swung around again. I couldn’t look. Whatever was behind me was coming faster.

My heart was pounding. My feet were pounding. Faster. I had to go faster. Hitting the end of my street just as “Silent Night” came on, I yanked the ear buds out of my ears.

A quiet rain fell around me, but that was the only sound. I turned to look behind me. Nothing. Nothing was there. I held one of the headphones up to my ears—nothing—my MP3 player was dark as if turned off. My breath was the only sound in the silence. Nothing. It was a quiet run, and nothing had gone wrong, had it?

Wednesday, November 4, 2009

Day Four- The Dialogue that Ate the Plot

So, a year and a month ago, my brother Adam received an email from me-- I can't be sure, but it may have been the one where I was pulled over by a cop for going backwards up an on-ramp when the poorly tied-on mattress on top of my car became a sail. He said something to the effect of "You should really write a book." I laughed and then thought, "Can I do that?"

I decided to write about what I knew--a female with OCD. I threw in a mystery, a guy named Julio, a car that seemed alive, a strange company, and voila! A novel was born. Three things shocked me.

1. That I could finish a novel--a whole novel. I felt all writerly.

2. It didn't suck. People read it. (biased people) They said it didn't suck.

3. I did it in around two or three weeks.

Say what? Three weeks?

I know. Subsequently, the manuscripts I wrote sometimes took the same amount of time. I'd dive into writing, bury myself in a story, and emerge shortly after that with a fully-formed novel. Instead of feeling good about it, though... it felt strange. Who can write a novel in two weeks, after all? It can't be good, right? This still baffles me... and it still feels a bit... well... cheap. I feel guilty because I can write so fast. What's wrong with me? What's wrong with my writing?

I think... byabout the time I reach 20,000 words... what I've written can't be good. It can't be healthy. It just can't be.

How? Why? What's wrong with me?

Yesterday, I was reading a "cheats" for NaNoWriMo on someone's blog. (No, I don't need cheats but I find such things fascinating.) They said to add dialogue because dialogue adds words in massive amounts.

A light went on above my head. No joke. It was all cartoony and freaky, and I quickly slapped it away. (Now you see why some of my paintings are so odd.)

I write about eighty percent of my stories in dialogue. So, I started flipping through books looking at the dialogue to exposition or whatever ratio. I still have no idea what the average amount of dialogue is--or if there is even an average, but I think I really tip the scale with my dialogue. Is that bad? Is that good? I have no idea. It is what it is.

Anyway, I just noticed that, so I'm trying to add a little more between dialogue from now on.

I have to run to Yoga. Today is going to be busy for me. Have a good Wednesday everyone on this side of the globe... and I'll see all of you tomorrow on the other side of the globe. (That totally made no sense.)

Wednesday Wendy's Paintings



I don't have a fantastic picture of this painting--I'll have to get a copy from my sister. You get the weird bent of paper people dancing in the night, though. My favorite paper person is the loner sitting on the tape dispenser down at the bottom. He's tragically flawed. That's so hot.

Tuesday, November 3, 2009

Day Three- Another name bites the dust and the POV was shot

So, I can't very well have a character named Seth and a character named Sidra, and why did no one point this out? If you say their names together, you run into the lisping issue that keeps killing my favorite name "Seth." Crap! This required a find and replace and a new name. Seth wasn't quite catching me anyway. His new name is Asher and that seemed to work with the whole theme of "Fire" but there was a new problem. His last name was Taylor. While all of this occurs in real life, it doesn't occur in fiction--dang it! We will make sure last names aren't stupid when said with first names. So, he got a full-on name change on Day Three. (Is this giving someone flashbacks? Sadly, I can only remember your name as Chris... which it isn't... anymore.)

So, Asher Terry was born. Phew. Name handled.

Point of View-- le sigh. So, I've been using first person and while I think that's good, Sidra's POV isn't enough. Is it weird to throw in the occasional first person chapter from Asher's perspective? (Like every third chapter or something) The other option is to switch the whole thing to third person and just head hop. Any ideas?

Then, there is the tense issue. Verb tense that is. Sidra likes to space off and stare at fires and have internal monologues about fire--which I'm allowing--for now. Her soliloquies to fires are in the present tense and have an extra space before and after. I'm trying to decide if that's too weird and jarring. I know it's hard for me to switch back and forth between tenses.

It's too complicated to explain what I mean in the generic, so here is an excerpt from the first of the book (Sidra's) and a little later (like chapter four) for Asher's--let me know what you think on the tense thing and the POV thing:

I paint almost entirely in reds and oranges. I like to paint fire—and things on fire. This bothers some of those people at school. My mom understands, so I do most of my painting at home. My friends call me “Scorch” because of it. It started in Junior High, and I haven’t been able to drop the name. I guess it’s better than my given name, Sidra. It means “stars” in Latin and my mom gets way too into Latin for it being a dead language in my opinion.

Sometimes when I’m in front of my easel, painting fire, like I am right now, my mind just runs and runs. There are no child support checks and a father living in Mississippi with the super whore, Bliss. There are no awkward moments when I walk into a class and search for the least unappealing seat. There is just me—and reds—and oranges—and fire.


“Sids, come down and grab some breakfast. You’re going to be late for school, Honey!” my mother yelled, breaking my mind’s sprint.

I wiped the paint off my hands with a cloth to the side of my easel. This room used to be my father’s office before he ran off with Bliss, the super whore. Now, it’s an empty room with a concrete floor. It was easier to tear out the carpet than deal with the glass and shards of my dad’s computer—and whatever had been spilled all over the remnants. The room’s demise had been my gain. It had the perfect light exposure and I didn’t have to worry about spilling paint on the floor. It had been the first decent thing my dad had done—leaving behind so much anger that we’d destroyed his edifice—his ode to work.

So, that's Sidra's POV, but here is an excerpt from Asher's:

She was sort of psychotic. She’d spaced out again while watching the fire. This Sidra chick had a serious pyro-mania going on. Still, I was almost positive she wasn’t the one I’m looking for. It wouldn’t be the first time one of the pyro-demons had masqueraded in human form, but they usually didn’t settle for cute female forms with nice copper-colored eyes. Plus, she wasn’t keeping a low profile, and she wasn’t new. That jock on the front row had made it sound like she’d lit plenty on fire over the years. Trace had decided that this was a new spot—possibly even a new demon—or several demons. Considering the amount of fires, I was guessing we had a pack of demons on our hands. It was rare for to them gather like this, though.

Vegas was getting nailed with fires right now. No one suspected arson, but a demon wouldn’t leave traces around like that to get them tagged as arson. That was part of what led Trace and me here. Another city. Another load of fires. A bunch of fire demons.

Nothing should be special about this place, but Sidra was changing that. She was pretty amazing.

Brand liked Sidra too. Brand didn’t like just anyone. He was the pickiest mutt. Brand wouldn’t like her if she was a fire demon. She had to be just a cute pyro in the wrong place at the wrong time.

Still, I had things to do—things that shouldn’t include tailing a hot pyromaniac. Okay, the word “tail” shouldn’t make me smile, but damn Sidra was hot. I couldn’t quite figure out what was wrong with the guys at this school. At any other school I’d been in, Sidra would have been the one with the quarterback—not the one being pelted with paper missiles. What was up with that idiot?

The teacher noticed Sidra’s expression and turned the burner off again. I tried to give this Ms. Lyons a smile to relieve that terrified look in her eyes, but Scorch here—wasn’t helping. It was probably just as well we’d be next to the fire extinguisher.

Monday, November 2, 2009

Day Two-- Title was eaten and spit out

So, insomnia kept me up an additional twenty or thirty minutes, and I've been rethinking my title.

Original title is very gollumish: In his Shadow Where he Keeps It.

"We likes the title, my precious, but we ates it because it was tasty."

Considering new titles:

In Flame's Shadow

The Shadow of Fire

Scorched in Shadow

Shadow's Scorch

So, I know the title isn't important but I like to have a good working title. Anyone like one more than the other or have other similar ideas?

Here is the back flap summary (which is subject to change as my characters see fit) :

Sidra is obsessed and teased by the thought of fire. It consumes her every waking thought and is the focus of all her art. Nothing matters as much as capturing the light and depth of reds, oranges, blues, purples, and the occasional common yellow.

Well, that's not true anymore.

There is something decidedly strange about the new guy in school, Seth. He doesn't seem to care about popularity or grades, and he asks a whole lot of questions about why she is called "Scorch." There is purpose in his gaze, and he hints that he's come to Vegas for a reason. When mysterious fires begin plaguing her classmates, Sidra knows it's only a matter of time before they start asking "Scorch" questions. Hopefully, no one finds the paintings of the fires that she painted before they happened. Still, they should be asking Seth. He's been at all the scenes almost immediately, and there is something funny about the air around him--he casts a strangely dark shadow over everything. Then, there is the dog that sometimes is with him. It's huge and dark but disappears like a fire jarred.

She shouldn't be protecting Seth. She shouldn't want him. Still, for a guy hiding in shadows, he sure warms her heart--it's as if she's on fire.

Sunday, November 1, 2009

Day One Down! Surname Casualty

Well, poor Seth's last name was a casualty tonight. His name isn't... whatever I said it was. I needed him to meet Sidra in alphabetized homerooms.

I got in some good writing today. I crossed 5000 words just now--ten minutes before midnight. It feels good to write and write and write.

I should check the fire before I go to bed. B just woke up. She might have just had a nightmare--she has them too.

So, yay, NaNoWriMo is officially on. I'm already cruising toward my goal--which will most likely be to actually FINISH the book at 75,000, but we'll see. I keep hitting rough patches the last two months. I think it's all the rewriting and querying. Still, I haven't been cruising through the books at warp speed lately.

Okay--my kids have school tomorrow. I'm off to try to sleep.

"The time has come,"

the Walrus said. "To talk of many things: of shoes--of ships--of sealing wax--of cabbages and kings And why the sea is boiling hot--and whether pigs have wings." ~ Lewis Carroll

So, it's officially November 1st--which means that NaNoWriMo has begun. (National Novel Writing Month) I'm signed up to be a participant in the mad attempt to write 50,000 words during the month of November.

Unfortunately, while I stayed up late to ring in the month, I'm exhausted and over-stimulated from too much Halloween-ing. I'm completely weened out. It was fun, but I'm exhausted.

The MCs for my novel are:

Drumroll.

Sidra Tempe (nickname Scorch)
Seth Gray

YA Urban Fantasy/Paranormal

First Person Narrative

The time has come.... BAWAHAHA!

Okay. I'm tired. Good night. Happy NaNoWriMo, Everyone. Oh, if you feel like adding me as a buddy on there, I've decided to get all complicated and go by: Wendy Sparrow